Poetry

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Early Years (1970's-1980's) Later Years (1990's to present)

A night in Fraser Canyon

Call woman a vessel

The orchids of spring

For Dave who Died at 46

Moon Woman (I)

As the sparks fly upward

 

The things of the world loosen their grasp

For Lorraine, swimming across Durrance Lake

 

 

Early Years (1970's-1980's)

A night in Fraser Canyon

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The wind a witches
fingertips
tangling my hair
working in woman-ways
through my mind;
stir, stirring
all particles of me
loose in the air and the
whirling, mindless objects there.
The wind a witches
hiss
teasing my ears with secrets
I’d rather not know;
reminding me
of ancient power, abandoned
(of the storm, of the storm)
buzzing my ears, cajoling my brain
to remember
and at last I must and I do.
The wind a witches
strong push
stealing daytime will
with ass-slapped and tickled heels
I run, I run
before the wind, the witches wind
oh, mine,
tonight!
Earbones tingle as
body flies up on invisible wings
soundless and light
in the roaring night;
I am confidante now and lover
to the pervasive touch,
as objects fly by
beyond owner’s ken:

Rags and papers, laundry, garbage
toys, leaves and branches

The world a-dance
and I,
mistress.

Oh wind support me
lift me above
so I run, I fly and
later, just before dawn
and your departure,

I happily die.      

Call woman a vessel

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Call woman a vessel
to receive.
No, call woman a channel
to swim through;
man or child
fighting those mysterious depths
for those unknown shores
while the tide pulls you,
pulls you back,
before mother in wisdom
before lover in caution
calls enough!

Call woman the stream
sometimes fickle
but constantly flowing
circling round the rocks
that dash the blind fish,
swimming upstream.

            Men call out to me
            from street corners
            across smoky rooms
            like so many
            blind fish
            struggling upstream.

The waters of the channel
moving, rolling, dashing,
flash the sunlight
through translucent eyes.

             (Oh blind fish
            I see you.)

The daze of salmon
battling the current and
battering the rocks
upstream, upstream
with turgid bodies
ready to burst their eggs
in my ready stream.

            (Men like fish
 
           hide in the dark
            cool waters
            ready to swim
            upstream.)

The channel called woman
is gorged on fish
spewing eggs and then
skin and flesh and blood.

Blind, life-heavy (poor things)
only the channel sucks them along.

 

The orchids of spring

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The orchids of spring
hang breathless in the
warming air
painted and perfect
in their full, swaying curves.

The men of spring
goats, every one,
watch with gleaming eyes
as they swing by.

The snowdrops bloom
are picked and soon die,
while orchids smile
from their refrigerated womb.

Goats are called
by the painted stare

and the deliberate swish
of delicate dresses
above perfect legs,
a procession of
flower upon flower upon flower.

Eager to climb such a mountain of blossoms
they sniff and bray;
the orchids in their plastic colors
are scentless and calm
as they recede,
drawing after them
goat and goat and goat.

The snowdrops, trampled,
give off a faint scent
of spring,
fade, and die.

For Dave who Died at 46

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(January 1984)

Death makes us thieves
trying to steal
what we could not have
while the flesh held life.

            His life works fly among us
            as we barter the magic of his dead fingertips.
            His hands adept at fashioning things
            now make a post-mortem tug-of-war:

            Of worn boots and coonskin hat,
            of handmade knives rusted dull,
            of teepee, disemboweled, boneless
            (poles cut and burnt)
            of lanterns and leather leggings
            (worn soft as the skin of women.)

            Pulling, his widow (legitimate at last) --
            pulling, his girlfriends, brothers, children, father
            friends, family all,
            and marauders, all.

            Jealous of finite time
            and stealing bereft his corpse
            now attired in brand new suit and
            antiseptic shirt, buttoned
            to choke all laughter in his throat;
            wild curls purloined, hair shellacked straight.

            And someone even stole from his still hands,
            the dirt beneath his fingernails.

Death makes us fools
lying to keep what’s already lost.

            His life history’s now rewritten
            a hundred times at least
            (But Dave says nothing,
            just like he always did.)

            Embellished to legend --
            black powder gunman,
            cannon-maker, Rabbit-King --
            skinny and sweating in the sweet
            strawberry Sooke air, living in a canvas
            castle on the hill:

            His family bewildered in town,
            one girlfriend trustee to his last hours,
            but not absent years;
            all trying to outguess his thoughts and desires,
            nights and days
            with no faults and no failings,
            preserving stories
            while more lives fly regretfully by.

            Women weep and try to will his eyes open
            but death lids that lascivious gleam
            and in his pants a bulge dies
            behind the coffin lid
            no longer waiting to spring.

Death makes us children
wishing the story would not end.

            His life in the hills
            he sang by the campfire
            his own strange words to
            our familiar tunes.

            His life in the hills
            he built with alder poles
            skinned painstakingly bare
            (to build not to burn)
            arranged cleverly on the rocks,
            and always higher to the sky. 

His life in the hills
he embalmed and we buried
with the shards of broken glass
last summer – his smashed rum bottles
filled the entire garbage pit.
He looked down from the hill and
toasted our work, filling his grave.

Death makes us seers
trying to foretell
our futures in memory.

            We light bonfires now
            each one bigger, hotter, higher
            as alder burns
            and we sit in our survivors’ circle
            where tepee poles once raised
            strong arms to the sun and stars.

            He had a light always
            at the hill’s crest:
            Campfires gathered our faces, and
            lamps or candles reflected
            sweet light from flesh,
            white and round and hot.
            Sunlight, his, at the top of the hill,
            first in the morning,
            last at night.

Death makes all lamps,
candles, fires, and lanterns
death makes our lives
now
our own to light.

Moon Woman (I)

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I have sat
out-staring the moon
on cold, wild nights
alone again
but for that
bright and ancient face
reflecting my own.

I have sat by my window
eyes shut
but that remote and judging face
a white ache
in my lonely brain

I have sat
glaring, begging, burning
through tear-dry eyes
your rise and ascent
my desire
for myself.

I have sat
a stone-faced
carven woman
yet tears in white rivers
ebb and flow
as your tides
as my sorrow
leave a silver
line on our shore.

I have sat
alone, squinting, blinded
out-staring pain
out-staring desire

Now I know why artists
and women do not die.
Now I know how artists
and women still survive

Now alone
can I return to bed
and not seek my own face
in yours,
turned cold and white
away from mine.

(Sooke, 1984)

As the sparks fly upward

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As the sparks fly upward
so I fly
on from the fire
on from the flame
seeking flight
daring the night

As the sparks fly upward
so I fly
on in the cool air
bursting my confines
shooting the sky

Streamers of light
in dizzying flight
so climb I
and if for an instant
rival the stars
at least for an instant

so shone I

Later Years

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The things of the world loosen their grasp

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When body fights to stay body
and mind gives way
and time lapses to stay
alive

The things of world so absorbing and fast
fade and shrink
and decline
as body holds fast, alone

The things of the world that would hold
strong and lasting
uncurl their tight grasp
nerveless and weak, tenuous and
suddenly gone

The things of the world will wait, will wait
while this battle lasts
while the body struggles to remember its own
and reclaim them some day

 

For Lorraine, swimming across Durrance Lake

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Lap, lapping
she goes through the lake
summer waters
removing the heat
healing the wound
she slowly crosses
her companion beside
yet she’s alone in the water
breast stroking
with no more breast
into the depths
of her unknown
hidden resources
everyone else says no, says why go
yet she outpaces them
in the cool, shady waters
lap, lapping at the hidden breast
the woman is still whole
the woman is yet seeking
her own path through the water’s
lap, lapping at her soul.

Healing the wound, she swims
across the lake, muscles stretching
the wound into life again
persistence her name
hoping and praying with her body
lap, lapping in the cool green
hope of the lake
healing herself.

 
 
 
 

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